Traces:
The audiovisual-collage project ‘Section 10_Traces by Filax Staël’ was founded in 2013 from the artistic collaboration between Filax Staël (the pseudoniem of artist/musician/graphic designer Bas Mantel) with old friend Okko Perekki. Their fascination with electronic sounds, field recording, musical and artistic experimentation and the desire for a creative and organic playground without preconceived and existing ideas set the creative process of the audiovisual project in motion with ‘Traces’ as the first official output.
Traces as shape shifting sounds
The instrumental work could be seen as more of a departure as sound collages derived from found sounds, samples and studio recorded extracts, all compiled into new raw and layered compositions. Short tracks which are originally accompanied by graphic stop motion clips. The visual part is for this tangible release translated into a 52 paged book.
Section_10; The book as a visual manual for the 24 tracks; wherein the flight map as a metaphore, directing the listener into a space where you are, is released to explore and experience the paths in a newly created (own) world of interconnected image and text fragments. How one stares at the physical and invisible environment, how do we process that? You will find no definitions or answers while reading and listening, but it gives an opportunity to experience it.
Graphic designer and founder of London based design agency Tomato, Simon Taylor contributes to the project with the text ‘How do we read sound?’
Traces:
The audiovisual-collage project ‘Section 10_Traces by Filax Staël’ was founded in 2013 from the artistic collaboration between Filax Staël (the pseudoniem of artist/musician/graphic designer Bas Mantel) with old friend Okko Perekki. Their fascination with electronic sounds, field recording, musical and artistic experimentation and the desire for a creative and organic playground without preconceived and existing ideas set the creative process of the audiovisual project in motion with ‘Traces’ as the first official output.
Traces as shape shifting sounds
The instrumental work could be seen as more of a departure as sound collages derived from found sounds, samples and studio recorded extracts, all compiled into new raw and layered compositions. Short tracks which are originally accompanied by graphic stop motion clips. The visual part is for this tangible release translated into a 52 paged book.
Section_10; The book as a visual manual for the 24 tracks; wherein the flight map as a metaphore, directing the listener into a space where you are, is released to explore and experience the paths in a newly created (own) world of interconnected image and text fragments. How one stares at the physical and invisible environment, how do we process that? You will find no definitions or answers while reading and listening, but it gives an opportunity to experience it.
Graphic designer and founder of London based design agency Tomato, Simon Taylor contributes to the project with the text ‘How do we read sound?’